David M. de León (any pronouns) is a genderqueer Puerto Rican writer, academic, and theater artist of mixed and African descent. They have a Ph.D. from Yale, a B.A. from Hunter College CUNY, and served as a senior editor at The Yale Review.

David’s poetry manuscript The Cats of Old San Juan was a finalist for the PANK Big Book Prize, the Letras Latinas Andrés Montoya Poetry Prize, and at Button Poetry. Their previous manuscript, On a Field in the Present, was shortlisted for the Dorset prize at Tupelo and the Lena-Miles Wever Todd prize at Pleiades. They were a Tin House Summer Scholar and a scholarship recipient at the Fine Arts Work Center.

David’s academic work focuses on contemporary poetry and music, especially book-length poems and concept albums by Black and Latinx artists. Their first academic book, Epic Black, is under contract with Duke University Press. An academic article on Tyehimba Jess’s Olio is forthcoming at African American Review. Their dissertation won the Sylvia Ardyn Boone Prize on African or African American art.

David’s poetry appears or is forthcoming in places like Best of the Net, AGNI, Fence Magazine, PANK, DIAGRAM, The Indiana Review, The Volta, Up the Staircase Quarterly, Acentos Review, Pleiades, At Length, Strange Horizons, Bat City Review, 2River View, Anderbo, The Cortland Review, Anti-, The Adirondack Review, and the anthologies Até Mais: Until More and Only The Sea Keeps.

David’s creative nonfiction explores how minoritized creators use the tropes of science fiction and futurity to build community or re-imagine society’s seeming inevitabilities. They are also interested in popular music, especially how Black and brown artists like Bad Bunny, Tyler the Creator, Lil Nas X, and Janelle Monáe have been grappling with queerness in public ways.

Classes taught include “Serious Play: Improvisation and Culture,” “Other Futures: Marginalized Futurity,” Reading and Writing the Modern Essay,” and “Daily Themes.”

David’s first full-length play was produced in New York in 2014. They continue to work on short theater around the city with an emphasis on site-specific works. His TV pilot, co-written with Phoenix Alexander, was a quarterfinalist for the 2020 Screencraft competition in Science Fiction & Fantasy.

Other awards include an Academy of American Poets prize, the Mary M. Fay Poetry Award, the Helen Gray Cone Fellowship for Graduate Studies, a Robert Dudley French fellowship, the Blanche Colton Williams Fellowship, the Miriam Weinberg Richter Award, the McGlinchee Prize for a Play, and the Matthew Ray Weisen Prize.

In their spare time they play guitar and video games.

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